Part One. Fundamentals
Chapter One. Elements of Pitch
Chapter Two. Elements of Rhythm
Chapter Three. Introduction to Triads and Seventh Chords
Chapter Four. Diatonic Chords in Major and Minor Keys
Part Two. Diatonic Triads
Chapter Five. Principles of Voice Leading
Chapter Six. Root-Position Part Writing
Chapter Seven. Harmonic Progression and the Sequence
Chapter Eight. Triads in First Inversion
Chapter Nine. Triads in Second Inversion
Chapter Ten. Cadences, Phrases, Periods, and Sentences
Chapter Eleven. Two-Part Tonal Counterpoint
Chapter Twelve. Nonchord Tones 1
Chapter Thirteen. Nonchord Tones 2
Part Three. Diatonic Seventh Chords
Chapter Fourteen. The V7 Chord
Chapter Fifteen. Other Diatonic Seventh Chords
Part Four. Chromaticism 1
Chapter Sixteen. Secondary Functions 1
Chapter Seventeen. Secondary Functions 2
Chapter Eighteen. Modulations Using Diatonic Common Chords
Chapter Nineteen. Some Other Modulatory Techniques
Chapter Twenty. Larger Forms
Part Five. Chromaticism 2
Chapter Twenty-One. Mode Mixture and the Neapolitan
Chapter Twenty-Two. Augmented Sixth Chords
Chapter Twenty-Three. Enharmonic Spellings and Enharmonic Modulations
Chapter Twenty-Four. Further Elements of the Harmonic Vocabulary
Chapter Twenty-Five. Tonal Harmony in the Late Nineteenth Century
Part Six. An Introduction to Post-Tonal Music
Chapter Twenty-Six. Materials and Techniques
Chapter Twenty-Seven. Post-Tonal Theory
Chapter Twenty-Eight. New Directions
Appendix A. Instrumental Ranges and Transpositions
Appendix B. Lead-Sheet Symbols
Appendix C. Set Class List
Appendix D. Answers to Self-Tests
Glossary

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